Showing posts with label Decision making. Show all posts
Showing posts with label Decision making. Show all posts

Sunday, April 26, 2015

Tyrant, Season 1, Episode 4 (14:04-16:17)

Tags: capacity, culture, decision making, positions, power elite 
Author: Jasmine Brown 
Date: April 26th, 2015
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          In this excerpt from the show Tyrant, the viewer is presented first and foremost with a quite literal demonstration of what C. Wright Mills identifies as the three central domains of power in society: the military, corporate and political elite. In this scene, the President of Abbudin (a fictional Middle Eastern country), Jamal Al-Fayeed, is consulting his counsel of advisors, among who are his uncle and leader of the military, Tariq, and his brother Bassam, a doctor recently returned from the United States. Thus there is a member of the political elite (the president), the military elite (head of the military), and the corporate elite (a doctor) all participating in the same conversation through which one can observe how their interaction leads to decision-making.
          Due to his position as the president, Jamal possesses the most power in terms of the final say in decision-making and the ability to exercise his decisions; however his decisions are not made in isolation. Jamal most highly values the advice and opinion of his brother Bassam and therefor his decisions are for the most part Bassam’s decisions. So although Jamal may have the greatest capacity for power (as Lukes says), Bassam’s position as the brother wields the most influence. If we recall the definition of power as the capacity or ability to direct or influence the behavior of others, it becomes slightly more difficult to trace the seat of power even from a very observable and one-dimensional perspective. Perhaps Bassam is the most powerful elite member in the room; however this can only be observed through a two- or three-dimensional analysis.
          Furthermore, the theories of Mills and Lukes have been largely influenced by the social structure of the United States as this was their primary area of study. It is interesting then to apply their thought to Tyrant, which is set in a very different cultural context. Here we witness family itself as an elite position within Middle Eastern cultures. Nepotism is an intrinsic aspect of this culture, with members of the same elite family commonly belonging to each of the three power elite domains. This also reflects Mills' idea that, for the elite, it is relatively easy to move between elite circles. In the United States, the military leader with his years of experience would likely have a stronger influence over the president’s decision than would the president’s brother. In the excerpt, however, we observed that this was not the case. Although the military leader is also a family member, the position of brother is more highly valued. In this example we can see that these theories cannot necessarily be applied universally; certain positions in one cultural context may possess more power than they would in another.

Orange is the New Black, Season 2, Episode 11 (minute 43:40- 44:50)


Title: Orange is the New Black, Season 2, Episode 11 (minute 43:40-44:50)
Tags: Freedom of expression, Neoliberalism, Power relations, Dimensions of power, Over and covert power, Subjective interests, Decision making
Authors: Maria Cely, Lauren Sherman, Jessica Bonnett
Date: March 23rd, 2015




This clip, located in season two, episode eleven of Orange is the New Black, illustrates Luke’s three dimensions of power and is briefly associated with Chomsky’s illusions to neoliberalism. The scene takes place in an episode where the prisoners are practicing what they believe to be their “right” to free speech through creating and distributing a newsletter and participating in a hunger strike.
In this extract it is possible to observe how one-dimensional power takes place with the decision making of the character Figueroa. She is the decision maker of the prison and decides to take away the freedom of speech within the prison by suppressing the newsletter that was being published and not allowing the inmates to make hunger strike posters. Figueroa states her decision very clearly and loudly, making it an overt decision on an overt subject, which is ultimately for a subjective reason. The reason behind the banning of freedom of speech is to maintain the prison’s reputation, but ultimately the reputation of her and her husband. Nevertheless, Figueroa justifies her actions by whispering to Caputo that she is a defender of women.
Luke’s two-dimensional power is manifest in two ways by the prisoners. One is the hunger strike practiced by the nun, Soso, and the yoga teacher. Their decision not to eat represents an attempt to display that they still have control over their own bodies. They mainly participate in the hunger strike to bring awareness to key issues that satisfy their subjective interests and well-being. Soso is doing it to maintain her values after she was forced to take a shower, while the yoga teacher is rebelling against Shoe being used as a punishment and the nun is doing it in response to her old friend being thrown out on the street to die. In addition to the hunger strike, Piper has started a prison newsletter that serves as a source of covert power of the prisoners who post their own articles and cartoons, making fun of those who have power over them as a sort of an inside joke.

            The third power dimension is represented throughout this scene when observing the prisoners’ actions and reactions. They set an agenda of what they want to see and what they want to be changed in the prison through a newsletter. This agenda setting is prompted by their assumption of still being in a neoliberal atmosphere, where they have freedoms of speech and expression, but they soon realize that these articulations of neoliberal policies are no longer recognized in prison. Their freedoms have been stripped from them, including rights over their own bodies. This latent conflict shows that the prisoners’ backgrounds and cultures have led them to believe that they have these rights and freedoms, while Figueroa quickly shows them that they do not within the prison walls. The interest of freedom of speech is real, and the prisoners are fighting for this objective interest to fulfill their own subjective interests afterwards.